2.21.2008

Tyler Ramsey's Asheville Folk

[originally published at Decoymusic.com]



What if Neil Young wore his heart on his sleeve in the fashion of one Chris Carrabba? Tyler Ramsey is an old-school troubadour, a bearded country boy who relishes in defeat and singing songs for the broke-down trucker in all of us, an emotional child in a working man's uniform. A Long Dream About Swimming Across the Sea is a storyteller’s album in the vein of My Morning Jacket, Wilco and Iron and Wine.

“Ships” and “Birdwings” explore the shuffling rhythms of Americana while “Once In Your Life” and “Night Time” delve into quiet digital backbeats, an acoustic Postal Service... almost. And “Once In Your Life” does both, beginning as a plaintive ode to the loveless before pulling a 180 and jumping into foot-stomping, dancehall country, the sort you can still hear all over the Texas Hill Country in small towns like Gruene and Luchenbach, and no doubt in Ramsey’s Asheville, NC as well.

The instrumental “Chinese New Year” recalls The Black Keys or maybe Kings of Leon. “No One Goes Out” is admittedly the anthem of my February, about long nights of hard drinking, playing shows and feeling like the King of Pain.



Ramsey speaks his mind with backwoods clarity, his songs written late at night, on the porch, drinking Pabst and all alone. Or maybe fireside with friends and loved ones, feeling alive in the cool Carolina air. A Long Dream is full of brilliantly simple and honest lyrics – “Once in your life you’re meant to find true love,” “All I gotta do is get high and I’ll forget about you,” “These days I sit on cornerstones and count the time in quarter tones to ten.”

Ramsey’s best songs are the ones where he’s sitting solo, introspectively plucking at his fretboard and singing for only himself as on “A Long Dream,” “Please Stop Time,” and “When I Wake.” A Long Dream is the perfect album for the waning days of winter. Listen to it with a loved one, listen to it alone, listen because you’re lonely or because your life has never been better.

Check out the video for "A Long Dream" below:

Free Form Freq's "Urban Mythology"

[originally published at AllAboutJazz.com]



Guitarist Vernon Reid, bassist Jamaaladeen Tacuma and drummer G. Calvin Weston give the power trio new meaning with Urban Mythology Volume One. Released under the moniker the Free Form Funk Freqs, the album is less jazz and more improvisational rock, powered by Weston's double bass drum and heavy crash, hard rock approach and Reid's space-bending, delay-loving fretwork.

The awesome impact of the trio is also shaped by Tacuma's ability to take a repetitive funk form and keep it interesting—by finding new ways to interpolate the same idea, flipping patterns on their heads, adding and subtracting, dividing and conquering the rhythm he creates.

Remarkably, Urban Mythology Volume One marks just the third time that Reid, Tacuma and Weston ever performed together (the first being a night during Tonic's last days, the second a gig one month later in Weston's Philadelphia).

”A Tale Of Two Bridges” is thoroughly dominated by Reid, who unleashes note after note like bombs bursting in the air. His guitars dance around each other, as in an electronic seance, the strings conjuring sounds only angels and ghosts make.



”Over And Under” finds Tacuma slapping his bass with enough intensity to match Weston, who keeps a steady double bass beat going and crashes his cymbals as if playing for a crowd of thousands. After the workout that is “Over And Under,” the trio wisely take things down a couple notches with “A Lost Way Found.” Though it seems Weston didn't get the memo: as his bandmates settle into an atmospheric groove, the drums stay busy as ever.

”Cump Chank Chunk” is a bluesy riff that gets the trademark Thirsty Ear post-production touch, as Reid adds layers of angels moaning and other spectral sounds. “Doing Within,” on the other hand, may be just too heavy a workout to sit through; some listeners, like the band, will likely have been whipped by the time this penultimate track comes along, worn out by the sheer funk freakiness of the session.

Reid and company are definitely onto something here, and hopefully they'll continue to explore this monster. Urban Mythology Volume One is punk rock jazz, free-form funk declaring sonic warfare on the rhythm and the beat.




mp3: "Over and Under"
myspace: www.myspace.com/freeformfunkyfreqs

2.17.2008

3 Dope Hip Hop videos

Gotta thank the great writers at nahright.com for hippin me to these great new hip hop videos.

The Cool Kids - "Black Mags"
http://www.myspace.com/gocoolkids

This shit makes me wanna get the tires on my 20 inch fixed. Cool Kids have been generating buzz among hip-hoppers and hipsters for a minute now. Two skate kids from Chicago, Chuck and Mikey get as much attention for their brightly colored alt-B-Boy fashion as they do for their trunk rattling beats.



Jim Jones - "Love Me No More/Byrdgang Money"
http://www.myspace.com/jimjones

Jones represents the best of NYC hip-hop. Founder of the Diplomats/Dipset with Cam'ron, Jones recently signed a joint venture deal for his Jones Family Productions with Columbia Records. His latest, Harlem American Gangster drops soon this Tuesday, February 19. Dude has been surrounded by controversy for his beefs with Tru-Life, Jay Z, and ex-runningmate Cam'ron.



Wiz Khalifa - "Say Yeah"
http://www.myspace.com/wizkhalifa

First off, how many dope emcees are coming out of Pittsburgh, PA? Wiz is one of those cats who's done stuff indie for years and recently been sucked into the major label machine - type of cat just waiting for a hot single to break him through. His mixtapes have been in and out of DJs and fans hands. Great quote from his manager: "[Mixtapes] are to hip-hop what touring is to rock," he says, "an important tool in getting the word out on an artist, and to let the streets decide whether he is ready for the world."

2.16.2008

Sometimes I just have fun with these CD reviews...

What if Paramore’s Hayley Williams screamed and had less cute hair? Well, she could probably try out for Eyes Set to Kill, the Tempe, AZ five-piece whose debut full-length Reach is out now on Break Silence Records.



Now if you'll please excuse my while I sip a little Hater-ade...

Of the bubbling pool of female-fronted rock bands (In This Moment, Kenotia, Patience, etc.), Eyes Set to Kill is certainly one of the better ones. But looking at this band it’s hard not to think they were created via some nefarious conspiracy involving Hot Topic, Fuse, and their label Koch Records (parent company to Break Silence). Led by sisters Alexia and Anissa Rodriguez, Eyes Set to Kill play a watered-down version of the metalcore / screamo those myspace kids get so moist over – I’m thinking The Devil Wears Prada, Memphis May Fire, and the like. From the perfectly placed facial piercings to the combed over hair, pouty lips, and token metal dude with full sleeves and huge plugs, Eyes Set to Kill look more like a marketing department’s master creation than a legitimate band worthy of respect, praise, and a recording contract. Maybe the record industry is folding because they keep signing bands not worth the price of admission.

Maybe?

Man this Hater-ade is tasty.



Alexia and keyboardist Brandon Anderson trade vocals in a boring call-and-response format. It seems like the two sat down with Alexia’s lyric book and decided, “OK, you sing that line, I’ll scream this line, then you sing that line, then I’ll scream this line, then I’ll sing that line…” I think you get it. Drummer Caleb Clifton would do well to lay off his double bass pedal. The kid plays like a chef who only keeps salt and pepper on his spice rack – about as flavorful as tapioca pudding. And as for the guitars, they’re typical Killswitch Engage style metalcore, nothing interesting in the slightest.

“Reach” is a predictable title track, with empowering lyrics and a doodling guitar melody you can’t get out of your head, “Violent Kiss” is at the tempo and shuffle that those two-step kids love to get down to, and “Give You my All” is your token acoustic track. Overall there is little variation in this twelve song album, little to get excited about – little substance at all.

It’s a shame, really, that "female-fronted" is getting to the point where it sounds like such a gimmick when used as a qualifier. It’s like that band Loom – am I supposed to ignore the fact that their post-ATDI indiecore is rather generic simply because they incorporate a violin in their music? Likewise, am I to ignore the fact that Eyes Set to Kill is rather generic screamo simply because they feature two rather attractive females?

But then again you know me – steady sippin' on some Hater-ade. Take it as you will.

2.07.2008

Today's YouTube Find...

Came across this amazing video on YouTube today, while snacking on a Red Barron's microwave pizza. This live video taken from the Knitting Factory in NYC features three amazing musicians who never cease to amaze me.

Ronald Shannon Jackson: Out there drummer, really out there. Helped pioneer the "free funk" sound (a blending of funk rhythms with free jazz improvisation) leading the group The Decoding Society, circa 1979. Went on to perform with Last Exit, a "super group" if ever there was one, featuring Bill Laswell (bass), Sonny Sharock (guitar), and Peter Brotzman (sax). Killer drummer. Live at Greenwhich House is one to check out.

Vernon Reid: C'mon dude - Living Colour? Seriously one of the best rock bands of all time. Dude is an extraordinary talent. The stuff he's done with Thirsty Ear Records, primarily his work with DJ Logic as The Yohimbe Brothers is brilliant.. He's got a record coming out under the banner Free Form Funky Freqs that I'll be reviewing shortly.

Melvin Gibbs: Like Reid, Gibbs got his start working with Jackson in the late 70s. Later he would join Rollins' Band and perform with DJ Logic as well. Unfortunately, this video cuts off right as Gibbs is about to launch into a solo. Sucks.

Enjoy.

2.02.2008

Sparks is a Diamond sign to Pluto Records

This band is on some hot shit.

A little like Death From Above 1979, a little like Blood Brothers, a little like Circle Takes the Square, a little like Pretty Girls Make Graves, a little like The Faint - Sparks is a Diamond is three piece (guitar, drums and an amazing female vocalist) hailing from Philladelphia, PA. The band just signed to Pluto Records (HORSE the Band, the JonBenet) and are destined for big, big things. Trust me.



Look at those kids - cute as fuck, eh?

Here's a sweet little video for their amazing track "Check Your Lease, You're In Fuck City" from their Emerald Moon Records debut EP.








The danceability of their tracks, the screamed male/female vocals - Sparks is a Diamond are the next hot internet buzz band - guarantee it. At least in the screamy, dancey punk hardcore community.

Enjoy friends - this is what I'm here for.

myspace: www.myspace.com/sparksisadiamond